【Love Rupert】很高兴听到他不是单身的消息

大概的意思是，近期的关于他在英国卫报的采访中，这个直言不讳的男人谈到在多年前的性丑闻时说到：“性这马子事情已经是青葱年少的过眼云烟了”，现在他很庆幸自己有了一个固定的伴侣，并且，动机纯洁的可以排除性关系的样子……感情上相知相伴么~他也不再是那个放荡不羁的少年了，内心平静了很多~

这个是那个超级fan对他进行采访时的照片

这个J Sheekey餐厅呢，貌似是伦敦戏剧区中部的一个名流餐厅啦，Rupert演犹大之吻的话剧的那段时间每天都会在这里用餐（他凭借这个话剧获得2013年第37届劳伦斯·奥立维亚最佳男配角奖提名）~

When Rupert Everett dies, he won't have a funeral. He has given this serious thought. "I'll go on the bonfire," he says. "That's what I'd like." At the risk of spoiling his cheerful plan, I feel obliged to point out that it's against the law to put corpses on bonfires. "Yes, but it shouldn't be," says the actor, irritably squeezing lemon into his tea. "I'm sure someone can put me on there, if I've just died normally. I wanted to put my dad on the bonfire. But nobody else wanted to, so we didn't."
在谈到死亡的时候，他说自己不想被埋葬（他真是个浪漫的人呀，希望自己在雄雄的篝火中燃烧，……是要做Phenix么？）然后这个Fan就指出他这个很乐观的计划因为法律的原因是不怎么可能乐观的实施的，Rupert在他的茶里放进一片柠檬接着说到“的确不应该，但如果我是正常死亡，有人会那样做的”他曾经有把自己死去的爸爸放到篝火上的想法（擦，当然那个时候不会有人同意这个异想天开的主意好么？又不是罗马时期，又不是电视剧）

后面是Fan自己blah blah的一大堆因为Rupert对死亡谈论时他所体会到的Rupert虽然已经53岁却仍然有一颗年轻的心~还有他是从什么时候开始对Rupert死心塌地崇拜之类的回忆~
Everett with Natasha Richardson in The Comfort of Strangers, 1990.
这个是电影图，1990（话说我刚出生……）陌生人的安慰~影片里你为什么要用好基友的名字Colin？我们不禁要问……

The second volume of his memoirs, Vanished Years, is full of death. His father; Natasha Richardson; many friends in the Aids holocaust of the 1980s. As their different titles suggest, his first volume, Red Carpets and Other Banana Skins, is gossipy and light; the second is reflective, poignant and wistful. On its pages, Rupert Everett slips in and out of worlds like a character from Evelyn Waugh: witty, transient, tragic, glamorous, elusive and brilliant. A Hollywood actor isn't supposed to be this clever, nor write this well.
Rupert自传《Vanished Years》里充斥着死亡的内容能，他的父亲，Natasha Richardson（娜塔莎.理查森不知是不是那个nanny呀），在十九世纪八十年代的时候，他的很多好友都死于AIDS这场瘟疫中。他的《Red Carpets and Other Banana Skins》(红地毯与香蕉皮，值得一提的是这个资源我有哦，大家注意可以去那个帖子里有下地址，义务发放！)是轻松愉悦的闲谈，《Vanished Years》则透着沉静，深刻和忧思，他的字里行间，如同Evelyn Wuagh对他的评价：诙谐，短暂，悲情，迷人，难以捉摸并且才华横溢，没有一个好莱坞演员像他这般聪明能写出如此的作品。

"I love death! I adore it!" he insists. "I've got to that age, I'm over the yard arm. I love funerals. Good hymns, nice church, funny-looking people pottering down the aisle. I hate parties and I never go to people's houses, but I love funerals." He is glad, then, that he didn't throw his father on the bonfire, much though he hopes someone can overcome the legalities to arrange that for himself. "No, I loved his funeral. It was the opening of my funeral season. It was a real moment for me. So many of my friends came – and I really loved my father during it, which I hadn't always during his life. And since then… you'll think I'm getting Shirley MacLaineish, but you can have good relations with dead people. Whether it's the memory cells throwing them up occasionally or whether it's a parallel universe, relationships go on."
他喜欢死亡，始终敬畏之情，他觉得自己到了接近死亡的年龄，他喜欢葬礼，美丽的圣歌，精致的教堂，还有那些有些滑稽的在走廊里那些慢条斯理的人们（为什么觉得Funny？果然是年轻的心呀），他讨厌Party，从来不去别人家参加Party，但他喜欢葬礼。他想把父亲的尸体放到篝火上，他希望别人不墨守陈规的办他的葬礼，（后面就更加的诡异了）他说自己喜欢父亲的葬礼，他的很多朋友都应邀前来，在葬礼期间他对他父亲的喜爱是在这一生中都没有的……Shirley MacLaineish我不知道是什么意思，估计是形容很奇怪的感觉吧……但他说你可以和已去的人有良好的关系，不管记忆的存储单元偶尔的唤起还是存在着平行的宇宙，关系在肉体的死亡之后还可以继续。

‘Gay love, physical punishment, treachery and exile…’: Rupert Everett and Kenneth Branagh in the stage version of Another Country at the Queen’s Theatre, 1983
这个是他在话剧同窗的爱里面的剧照，在皇后剧院，他说“同性之爱，体罚，背叛，流放……”

'I love him for his faults and his snobbery': Rupert Everett on Oscar Wilde who he played, above, in The Judas Kiss with Freddie Fox as Bosie.
他在犹大之吻里面饰演了王尔德一角，他说“我爱他，他的错与趋炎附势”

眼看天色已晚，后面决定用翻译大意来完成……我懒惰了……
后面的内容，我觉得自己是心疼到了，因为Rupert不再是那个迷人的能勾起人情欲的完美男子了，他老了，但，他是一个精神性的化身，他出演了王尔德一角，其实知道王尔德的人应该明白，他是一个Gay，他的生活也富有一种悲情的色彩，Rupert因为这一角色获得了大奖的提名（我应该去核实一下到底得奖没……貌似没有……？）后面讲到他是怎么获得这一角色，怎么去感悟怎么去共鸣之类的……
他当年的出柜可以说是勇敢的，却也注定是他的一场悲剧，他在后面还谈到在出演王尔德的时候的感受，现在的时代是文明开化的，人们不再对同性恋这个词嗤之以鼻了，在这场话剧里面有三个同性恋角色是裸的（！！！！擦，这是个亮点），人们不会向舞台上丢砖头，来看演出的不仅仅是同性恋，还有异性恋情侣，甚至家庭，在以前这是不可能发生的。

"They've become like homosexuals!" he points out. "They cruise for sex, they have random sex; that's a huge shift even from the 60s, which people called liberated, but it was done in a very connected way. Now the straights have become cruisers, and the homosexuals are all getting married and having kids." He says this very good-naturedly; he claims to lose his temper only with friends ("I have huge arguments, sometimes two-year fatwas that take forever to unwind") and over his work.
这段我觉得我非常有必要说下，他讲到现在的异性恋变得非常的放荡……就是说，他们所追求的性的解放和自由变得很随意，相反，现在的同性恋情侣们都在追求着忠贞婚姻家庭和孩子，他说这些话的时候是灰常温和的，他只有在朋友面前和工作相关的事情上才会发发小脾气~~人家决定永远保持放松的心态了已经~~

"It's very low on mine. Although I do hate the way London is changing into a sort of Monégasque tax haven, full of Chinese oligarchs' manicurists. We've let London slip through our fingers and we're like the Raj Indians, servicing and arse-licking the über-rich. On the other hand, as an entertainer, that's fine…" He preferred London, and all the big cities of the world, when they were "rough and ready… or just rougher. I don't like wedding-cake Paris, or sand-blasted New York, or anywhere that's become a pedestrianised shopping centre with no character." He likes a melting pot of class and type; that's what drew him to the old gay bars, and indeed to the Masses and Lourdes trips that he talks about in the book. He seems terribly Catholic, in the sense of Protestantism being a rather polite religion where you're wearing a hat and eating a wafer, while Catholicism invites you to imbibe Christ's body and its priests wash the feet of the homeless.
他说自己不喜欢现在的伦敦，因为，后面赘述了一大堆的外来入侵者异化了伦敦的各种语句，注意，里面有中国人……美甲师，并且是一小撮掌控了市场的中国美甲师……但即便是这样他还是更喜欢伦敦，然后，婚礼蛋糕样的巴黎，喷砂一样的纽约，到处都是的步行购物中心没有一点特色，他喜欢古朴的典型，怀旧的Gay吧，包括穿着啊，什么的旧式的绅士风度啥的……

我不行了，后面的内容其实就是blah blah的一些关于他继续出演话剧呀什么的感受之类的，就不拿出来翻了，这段收个尾，"I've had the experience a tree has: one day it's full of leaves, then the wind blows and there's only one left. That happened to me in the last two years: a major ageing. Physically. Physically, I feel a big change has happened. If you want to be maudlin about it, it's part of dying."
一棵树，枝叶头繁茂，却总会被风吹尽，残存无几。过去两年发生在我身上身体的老化，我甚至能感受到巨变的发生。如果你想为之伤感，它是死亡的一部分。